Since , David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking. Husband-and-wife film studies team David Bordwell and Kristin Thompson, now retired from the University of Wisconsin-Madison, have. by. Kristin Thompson,. David Bordwell. Film History: An Introduction · Rating details · Ratings · 26 Reviews. Written by two leading film scholars, "Film.


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David Bordwell - Wikipedia

That topic does allow me to touch on wider matters of storytelling and theme, but I found myself struggling to squeeze in all I wanted to say. Hiroshima mon amour, the feature film directed by documentarist Alain Resnais, tells the story of david bordwell kristin thompson brief sexual affair between an unnamed man and woman.

She has come to Hiroshima to make a film about the effects of the US nuclear bombing of the city in Her plane is scheduled to leave the following day, but he asks her to stay longer in Japan.

As a result, what drama there is becomes psychological—pressured by her deadline, but complicated by her memories. After their first night david bordwell kristin thompson lovemaking, she tries to break with him, but in the course of the day he pursues her and they meet at intervals.

They go to his house for another bout of lovemaking, to a bar called the Tea Room, to the train station, and back to her hotel, where the film began.

In david bordwell kristin thompson course of their affair, she recalls and recounts her wartime romance with a German soldier stationed in her city of Nevers. At the liberation, he was shot by a sniper.

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The townsfolk punished her by cropping her hair and confining her in a cellar. More david bordwell kristin thompson, in the course of their affair she has realized that her memories of her first love are fading, and she fears that makes her deeply disloyal to him.

The passage of time and the waning of emotion come to feel like a betrayal.

Hiroshima is one of the most important films ever made, summing up many tendencies of modern cinema but also indicating new directions for later filmmakers. Its implications and possibilities radiate out in several directions, like david bordwell kristin thompson spidery silhouette in negative?


So a listicle format seems, for once, justified. At first, the bodies are powdered with dust but as the images dissolve into one another, the limbs are glittering and then oily with sweat.

Film Art: An Introduction - David Bordwell - Häftad | Bokus

These images give way to documentary-style shots of Hiroshima, both in the present and in newsreel footage. Over all david bordwell kristin thompson footage float a male voice and a female voice: We return intermittently to their bodies. The sequence concludes with her voice: Ten years after its premiere, when I first saw it and without much foreknowledgeI was overwhelmed.

Is this like the embracing couples discovered in Pompeii by the heroine of Voyage to Italy?

Film art: an introduction - David Bordwell, Kristin Thompson - Google книги

Here, similar traveling shots are david bordwell kristin thompson or less anchored to the unseen woman reporting on her impressions. And often the camera is withdrawing along the line of the museum exhibits, as if looking backward.

Already the imagery is rendered a little detached from a human perspective. Maps and twisted relics, faces and stones, david bordwell kristin thompson and authentic suffering are all put on the same plane, with a disturbing neutrality. Perhaps this is the tragedy of Hiroshima as absorbed by a consciousness unequal to it.

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